Hi! That’s actually a problem that a lot of writers have at some point in their career, so try not to feel too bad about it, okay?
There are a lot of different types of conflicts, but they can be boiled down into three categories: person vs. person, person vs. nature, and person vs. self.
What is it about the conflict that has caused it to have no real solution? Is it that a character has changed too much? If so, can you add a different character to fill that same role?
Has the environment changed too much? If so, you might be writing a different story altogether! If you’re trying to write, say, a Hunger Games fanfic, and you somehow end up in the world of the Jetsons, it could really tear up your entire concept. How can you bring it back to the original location? Can you break the story into pieces where they go back to where they should be?
If the government is involved in your plot, perhaps you could have someone new take over–violently.
And if it’s person vs. self, then you need to take the time to understand why that conflict doesn’t work anymore. Did they solve a problem too early on? Does the final battle rely on them having a weakness that has already been resolved?
I think what would help is to do what cheaters do when they can’t figure out those little mazes on the backs of children’s menus: start from the end.
This is actually a great technique that I used when I was teaching. It’s called “scaffolding.”
If you’re not sure why, pull up some pictures of scaffolding and humor me, all right?
When you are building, say, a skyscraper, you need to have scaffolding, right? You have to create a net of scaffolding that supports the building. If you don’t know what the building will look like when it’s complete, the scaffolding would be all out of place and wouldn’t end up keeping the building together.
To do scaffolding, all you have to do is work backwards. Pick precisely what you want the ending to be. If you can’t do that, make a list of no more than 3 endings that would be acceptable to you.
Then, ask yourself, “How do we get here?”
If the conflict needs to be resolved by someone who has a certain magical ability, then you need to ask yourself how a person with that ability could find themselves at that crucial point.
Maybe it’s unrealistic. So you have to come up with a bunch of different plot points to get them there.
Maybe your magician has ADHD and keeps getting distracted from their destination. So introduce a character who helps them keep focus.
How would that character end up in the same place as the magician?
If this sounds too confusing, then I think you need to evaluate your characters more! If you understand your characters really well, you’ll immediately see the answer to my questions as you read them.
So I’ve collected some relevant posts from my archive that may help you out. It really depends on what type of conflict you’re trying to solve, so if you feel like these resources don’t help, send me another message asking something more specific so I can help further. 🙂
I don’t normally reblog my own posts, unless there’s a new reply to display or address, or I want to bring back an old post that basically no one saw, but I came across this one again and felt like it would be a good idea to post it again, despite it being posted only in February. I’ve been in a pretty bad depressive episode, so I figure talking about my novella will help me get back to work on it. I had originally planned on being done by the end of April, then May…….. And now I’m still hardly any further than when I wrote this post 6 months ago. I got about 200 words in the other day, which his more than I can say for myself as of late. But that’s better than nothing. So here’s this post again so you can think about how to fix your endings. And maybe I’ll be able to get back in the swing of things. We’ll see!