i’d be really curious to know what percent of queerbaiting is 

a) an intentional marketing scheme to stir interest in the project and attract certain fanbases (lgbtq people and young women) vs. 

b) members of the creative team genuinely wanting to write queer characters but the corporate side of things force them to tone it down but they still leave little hints vs. 

c) they legitimately did not know how gay something would come across

The answer:

A is 100%. Because B and C are not queerbaiting. The literal meaning and definition of it is A.

#a) queerbaiting #b) queer coding #c) subtext

Please tumblr learn the difference and stop shitting on good shows

Anyone who’s still not clear:

Teen Wolf show-makers asking fans what they wanted, getting the answer ‘canon-queer relationships’ and then just hinting at Stiles being bi and having the characters people ship hang out platonically is queer-baiting

Gravity Falls having the two male police officers hold hands and show genuine affection to one another, but not being allowed to confirm they were married because the studio wanted to sell the show to Russia and China is queer-coding

Arthur Conan Doyle genuinely not understanding why some people would think two men living together, declaring their undying affection for one another, and constantly referring to Holmes as a ‘confirmed bachelor’ was a bit gay is queer-subtext

Clear now?

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